: Rivers originally intended to debut the 45-minute cut as part of a 1981 exhibition. However, the girls' mother, Clarice Rivers, intervened and successfully prevented the public screening. Critical and Family Perspectives
Exploring these contrasting viewpoints provides a deeper understanding of the complexities surrounding the intersection of art, family, and ethics in the late 20th century. Portrait of the Artist as Creep - Glasstire growing 1981 larry rivers
Currently, Growing (1981) resides in a private collection in New York, though it was exhibited as part of the Larry Rivers: The Last Decade retrospective at the Jewish Museum (then traveling to the Corcoran Gallery) in the mid-1990s. If you are attempting to locate this piece for academic study, your best resource is the Larry Rivers Foundation archives. The work is rarely traded, as it is considered a crown jewel of his late period. : Rivers originally intended to debut the 45-minute
: The footage shows the girls either naked or topless as Rivers asks them questions about their changing bodies and budding sexuality. Portrait of the Artist as Creep - Glasstire
Growing (1981) is not merely a painting; it is a manifesto rendered in charcoal and oil. At first glance, it appears to be a simple anatomical study of a plant. But as the eye adjusts, the viewer realizes that Rivers has done something subversive: he has turned the natural world into a psychological mirror.