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This paper investigates the production, dissemination, and consumption of "Indian culture and lifestyle content" across digital platforms (YouTube, Instagram, and TikTok prior to its ban in India). Moving beyond Orientalist clichés (spirituality, poverty, exotic spices), the study analyzes how contemporary Indian creators negotiate between global aspirational aesthetics and localized, vernacular realities. Using a mixed-methods approach—content analysis of the top 100 Indian lifestyle influencers and semi-structured interviews with urban Gen Z consumers—the paper identifies three primary content archetypes: the NRI Nostalgia Curator (diaspora-focused), the Metropolitan Hustler (career/fitness/fashion in Mumbai/Delhi), and the Bharat Vlogger (small-town rituals and agrarian lifestyles). Findings reveal a dual movement: a homogenization of content to fit Western platform metrics (e.g., minimalist thumbnails, ASMR cooking) alongside a resurgence of hyper-local markers (caste-based food taboos, regional festival intricacies) as forms of cultural resistance. The paper concludes that Indian lifestyle content is not a monolithic export but a contested site where tradition, neoliberalism, and digital labor converge. Findings reveal a dual movement: a homogenization of
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