Through "As Bestas," Sorogoyen poses fundamental questions about the human condition, encouraging viewers to confront the duality of their own nature. The film's title, which translates to "The Beasts," is a deliberate reference to the idea that, beneath the veneer of civility, lies a primal, bestial essence waiting to be unleashed.

The film explores the friction between "locals" and "foreigners." While Antoine and Olga try to integrate, they are ultimately viewed as invaders. The locals speak Galician among themselves, a linguistic barrier that adds to Antoine's isolation. Sorogoyen critiques the dark side of rural communities: a mentality of "us versus them" that can turn neighborly disputes into blood feuds.

The perspective shifts to Olga, and the filmmaking style transforms. Swapping tripods for Steadicams, the camera adopts a lighter, more intimate touch to explore themes of grief, fortitude, and feminine resilience. The Symbolism of the "Beasts" The title refers to the Rapa das Bestas