The psychological literature on the boomerang generation is thick with anxiety. For the 1992 cohort, the return home felt like regression. For the 2021 cohort, it felt like a foregone conclusion.

Fast forward to 2021. Eddie Murphy isn’t the lead anymore. Instead, the torch is passed to a new cast of characters trying to navigate modern dating, social media, and career ambitions. The series focuses on Simone Graham (Marcus and Angela’s daughter) and her friends, who are trying to launch their own marketing firm while dealing with messy love lives.

Furthermore, the 1992 film is aesthetically significant for its depiction of "Black Excellence." The characters are not struggling against systemic poverty, a common trope in Black cinema of the prior decade. Instead, they navigate a world of corporate boardrooms and luxury apartments. This depoliticized setting allowed the film to focus entirely on interpersonal gender dynamics, a luxury previously afforded mostly to white romantic comedies.