The set arrived like a tide: a clipped drum with a voice that slipped between frequencies, a synth that made the hairs on Jonah’s arms lift. It was 2013 in a way that felt less like a year and more like a weather pattern—warm reverb, cracked vinyl warmth, a lyric half-remembered about leaving and staying. The photographer started recording frames, her camera shutter like a staccato applause. The DJ’s fingers found a rhythm he had not been able to coax in a studio for months; he smiled like a man who’d found his name again.

Anthony Dod Mantle used small, versatile cameras to get inside the helmets and engines, making the audience feel the vibration of the 1970s V8 engines.

You can often rent or buy the film in 4K for a very low price.